The play presents the victimization of a contemporary Everyman who cannot survive in a world ruled over by the power of cliches, absurd, ideas and stereotypes. He is sacrificed to civilization and its myths and collective manias that intrude upon the individual. Everyone in society is drawn to Peter Ohey’s apartment by the tiger, and his home becomes part of the social machinery and no longer a place where he can live in peace and quiet.

​

Project assuming that the viewers sit on the stage with the actors, building the sense of being trapped and the atmosphere of peeping. No division into space of play and the space of observation.